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Critical perspectives on Nigerian literatures / edited by Bernth Lindfors.

Contributor(s): Material type: TextTextSeries: Critical perspectives ; [3]Publication details: London : Heinemann, c1975.Description: vii, 280 p. : ill. ; 22 cmISBN:
  • 0435919032
Subject(s): DDC classification:
  • 896
Contents:
Vernacular literatures: Olajubu, O. Iwi Egungun chants. Owomoyela, O. Folklore and Yoruba theater. Adedeji, J. Trends in the content and form of the opening glee in Yoruba theater. Skinner, N., et al. Wakar Bushiya. Echeruo, M. The dramatic limits of Igbo ritual. Emenyonu, E. Early fiction in Igbo.--Literatures in English: Armstrong, R. P. The narrative and intensive continuity. Brown, L. Cultural norms and modes of perception in Achebe's fiction. Skinner, N. From Hausa to English. Nwoga, D. Plagiarism and authentic creativity in West Africa. Lindfors, B. The early writings of Wole Soyinka. Dodson, D. The role of the publisher in Onitsha market literature. Stevenson, W. H. The horn. Kronenfeld, J. Z. The "communistic" African and the "individualistic" Westerner.
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Item type Current library Call number Status Barcode
Circ Books Circ Books Wesley Powell Learning Resource Centre AF/896/ CRI (Browse shelf(Opens below)) Available 20159

Bibliography: p. 271-280.

Vernacular literatures: Olajubu, O. Iwi Egungun chants. Owomoyela, O. Folklore and Yoruba theater. Adedeji, J. Trends in the content and form of the opening glee in Yoruba theater. Skinner, N., et al. Wakar Bushiya. Echeruo, M. The dramatic limits of Igbo ritual. Emenyonu, E. Early fiction in Igbo.--Literatures in English: Armstrong, R. P. The narrative and intensive continuity. Brown, L. Cultural norms and modes of perception in Achebe's fiction. Skinner, N. From Hausa to English. Nwoga, D. Plagiarism and authentic creativity in West Africa. Lindfors, B. The early writings of Wole Soyinka. Dodson, D. The role of the publisher in Onitsha market literature. Stevenson, W. H. The horn. Kronenfeld, J. Z. The "communistic" African and the "individualistic" Westerner.

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